Please be aware that this is a printed colour chart. Sennelier gathers only the finest natural and inorganic pigments from around the world for their Artist's Oil Color. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. At the end of the 19th century, Gustave Sennelier embarked on a journey of color resulting in a range of artists’ colors of world renown. If so, please ask. Ready to use. sennelier oil paint color chart, review sennelier 12 half pan watercolour set parka blogs, blundell artist sennelier watercolours full range, sennelier oil pastels review, color charts pigment … L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. March 25, 2014 at 1:13 pm #1202596. This ready-to-use binding medium is compatible with all the pigments traditionally used in oil paint. * For density reasons, certain colours are packaged in 100 ml jars. This range comprises 94 colours. Blick Artists’ Soft Pastels. Sennelier Coloured Ink combines high-quality colour with excellent light resistance. Since 1887, the Sennelier name has been synonymous with quality, artist-driven innovation, and an unfailing commitment to the advancement of art. Please refresh your browser and try again. Each of these hues was formulated to offer exactly the same tinting strength, so in mixtures, they allow you to create medium hue secondary colours: 1 part yellow + 1 part red = medium orange hue. These same pure pigments are now available to artists wishing to master the preparation of their own colors. The high quality composition of “à l’écu” pastels is the result of a perfect balance between binder and pigment. This unique range of primaries was especially developed for the Sennelier range of dry pigments. For the last 130 years, Sennelier has combined the innovations of modern chemistry with the traditions of the Old Masters to produce internationally regarded art materials used by Cezanne, Picasso, Bonnard and Soutine.